EDUCATION
  1995 Whitney Museum Independent Study Program, New York, NY
  1994   MFA, University of California at Irvine, Irvine, CA
  1991   BA, The Evergreen State College, Olympia, WA
       
  SELECTED SOLO EXHIBITIONS
  2003   someone else’s yesterday, Spanganga Gallery, San Francisco, CA
  2002   Beds and Letters, Spring Street Gallery, New York, NY
      The Academic Eye, Lesbian Beds, Duke Museum, Durham, NC
      On Becoming - Billy and Katie 1964, Franklin Center, Durham, NC
  2001   photobacks, Partobject Gallery, Carboro, NC
  1999   Queer Youth, Lump Gallery, Raleigh, NC
  1998   Random Letters to Ransom Girls, Lump Gallery, Raleigh, NC
  1997   On Becoming - Billy and Katie 1964, The Ackland Art Museum, Chapel Hill, NC
  1996   This Is A Why Her And Why Not Me Story, Emison Art Center, Greencastle, IN
  1995   Odd Girl Out, LACE (Los Angeles Contemporary Exhibits), Los Angeles, CA
       
  SELECTED GROUP EXHIBITIONS
  2006   GRAY AREA Uncertain Images: Bay Area Photography 1970’s to Now, Sonoma Art Musuem, Sonoma, CA
  2004   Dreamscapes, University art Gallery, University of California, Irvine, CA
      Subject to Oneself, PLAySPACE, CCA, San Francisco, CA
      Felix Variations, PLAySPACE, CCA, San Francisco, CA
      The Big Ballyhoo, The Lab, San Francisco, CA
      GRAY AREA Uncertain Images: Bay Area Photography 1970’s to Now, The Wattis Institute, San Francisco, CA
  2003   (r)Evolution of Gender, SomArts, San Francisco, CA
  2002   Towards Tomorrow, Lump Gallery, Raleigh, NC
  2000   Ladyfest, Olympia, WA
  1999   Post PC, Post Gallery, Los Angeles, CA
      Artist/Audience, The Greenhill Center, Greensboro, NC
      By Any Means, The Ackland Art Museum, Chapel Hill, NC
  1998   Tuff and Tender, Lump Gallery, Raleigh, NC
  1996   Gender Fuck, COCA (Center of Contemporary Art), Seattle, WA
      Alter Image, 450 Broadway Gallery, New York, NY
  1995   Is A Why Her And Why Not Me Story, The Whitney Independent Study Program, New York, NY
  1994   Obsessed: Ruminations in 'Zine Culture, Re: Solution Gallery (LACPS), Los Angeles, CA
      Bodily Functions, Carolina Union Gallery, Univ. North Carolina, Chapel Hill, NC
  1993   Superwoman, University of California Irvine Fine Arts Gallery, Irvine, CA
       
  SELECTED SCREENINGS
  2004   Towards Tomorrow, a trilogy in four parts, international performance venues (Eastern and Western Europe,
      Japan, United States) with the band Le Tigre
  2003   Point Blank, New Langton Arts, San Francisco, CA
      Queerly Classed, Squeaky Wheel, Buffalo, NY
      Queerly Classed, MIX '03 New York Experimental Video Festival, New York, NY
  2002   Cry for everything bad that’s ever happened, national venues on tour with the band Le Tigre
  2001   Towards Tomorrow, Sound Unseen, Weisman Art Museum, Minneapolis, MN
  2000   gurl.com Film and Video Festival, New York, NY
  1999   Voices From The Other Side of The Wall, Women in the Director’s Chair Festival, Chicago, IL
      Art/Activism, Film Video Forum, Brown University, Providence, RI
      Faking it. MIX '99 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
  1998   Bent Is Beautiful, University of North Carolina, Chapel Hill, NC
      MIX '98 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
      I Came With The Rodeo, The Point, Atlanta, GA
  1997   If Only You Were More Like Me, Artist Television Access (ATA), San Francisco, CA
      MIX '97 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
      My Failure to Assimilate, Artist Television Access (ATA), San Francisco, CA
      Image and Nation Film Festival, Montreal, Canada
  1996   MIX '96 New York Experimental Video Festival, The Anthology Film Archives, New York, NY
      New York Lesbian & Gay Film Festival, Joseph Papp Theater, New York, NY
      Miss Moviola Project, A traveling video compilation chain letter
      R&R Reels Film and Video Showcase, The Rexal Rose, Portland, OR
      Dirty Bird, Artist Television Access (ATA), San Francisco, CA
  1995   Berlin International Film / Video Festival, Berlin, Germany
      San Francisco International Gay & Lesbian Film/Video Festival, San Francisco, CA
      Reel Time, P.S. 122, Performance Space 122, New York, NY
      Way Out, Segue Space, New York, NY
      No More Sweets For You, Randolph Street Gallery, Chicago, IL New York Lesbian & Gay Film Festival,
      Joseph Papp Theater, New York, NY
      Evergreen State College Film / Video Festival, Olympia, WA
  1994   Growing Up Female, Film and Video Festival University of Michigan, Ann Arbor, MI
      Out About Age, Artist Television Access (ATA), San Francisco, CA
      MIX '94, New York Experimental Video Festival, The Anthology Film Archives, New York, NY
       
  CURATORIAL PROJECTS
  2002   Towards Tomorrow, Lump Gallery, Raleigh, NC – Photography exhibition
      Calling All Kings and Queens, produced in Durham, NC – a compilation music CD which includes 18 bands
  2001   with a production run of 5,000
      Faking it. MIX '99 New York Experimental Video Festival, The Anthology Film Archives,
  1999   New York, NY – Video art program
      The New Women’s Music Sampler, produced in Durham, NC – a compilation music CD which includes 12 bands
      with a production run of 5,000
  1998   Bent Is Beautiful, University of North Carolina, Chapel Hill, NC – Video art program
      Mr. Lady Presents, Artist Television Access, San Francisco, CA – Video art program
       
  SELECTED BIBLIOGRAPHY: REVIEWS, INTERVIEWS, REPRODUCTIONS, RADIO / TELEVISION
  2005   Artist pages, Big Magazine, #54, 8 reproductions
      Pin-up Grrrls: Feminism, Sexuality and Popular Culture by Maria Buszek, Duke Press, 3 reproductions
  2004   Artist Pages, LTTR, Issue No. 3, July 2004, pages 6-9
      Review, Home Work, by Carl Nagin, San Francisco Weekly, February 4-10, 2004, pages 42-43
      Review, Better Homes and Galleries, by Johnny Ray Houston, San Francisco Bay Guardian,
      January 14, 2004, page 50
  2003   Review, Age of Ambivalence, by Glen Helfand, San Francisco Bay Guardian, December 24, 2003, page 40
      Review, A Few Odd Girls Out Leave Behind the Old New Queer Cinema, by Ed Halter,
      The Village Voice, November 19-25, 2003
      Article, Dish, by Nancy Millar, Jane, Jan/Feb 2003 46
      Review, by Thurston Moore, The Wire, January 2003, page 47
      Review, Spin, February 2003, page 22
      Television interview, Self Made Culture, In the Life, originally aired January 2003
  2002   Review, New York Times, by Holland Cotter, Dec. 13,2002, page B40
      Feature, Out Magazine, Out 100 people of the Year, December 2002
      Review, Picture Puzzles, by Barbara McKenzie, Independent, Oct. 16, 2002, page 18
      Review, Rumpled Sheets, by Blue Greenberg, Herald Sun, Oct. 13, 2002
      Feature, How to Make it in the Music Biz, Curve Magazine, August 2002 pages 28-32
      Television interview, Southern Comfort, Dyke TV, originally aired March 2002
      Feature, Deliberately Visible: The Multiple Meanings of Tammy Rae Carland, by elin o’hara slavick,
      The Independent Weekly, January 2-8, 2002, page 14, 2 reproductions
  2001   Feature, Kings and Queens, by Jimmy Draper, San Francisco Bay Guardian, October 17, 2001, cover story
      Mr. Lady Rocks, by Pamela Grossman, Ms. Magazine, Oct / Nov 2001, pages 26-27
      Feature, A Home for Homocore, by Dave White, The Advocate, June 19, 2001
      Article, Indies 2001 Triangle Arts Awards, By Kat Parker, Independent, June 27, 2001, page 25
      Feature, En Garde, by Todd Fjelsted, Independent Weekly, September 5, 2001. pages 21-26, cover story
      Reproduction, Margaret Mead Made Me Gay: Personal Essays, Public Ideas, by Esther Newton, published by Duke
      Press 2001, original photograph used for front cover of book
      Reproduction, Lesbian Art in America, A Contemporary History ed. by Harmony Hammond,
  2000   Rizzoli Press, 1 reproduction, page 78
      Behind the Curtain, by Whitney Vaughan, Independent Weekly, November 15-21, 2000
      Manifesta: Young Women, Feminism and the Future by Jennifer Baumgardner and Amy Richards,
      Farrar, Straus and Giroux press, published October 2000
      Article, Revenge of the Girl Bands, by Ann Cvetkovich and Gretchen Phillips, The Nation,
      July 10, 2000, pages 16-17
      Some Grrrls are Ladies, by Jutta Sommerbauer, Nylon, Vienna Austria, August 2000
      Girls + Guitars, by Evelyn McDonnell, Out Magazine, April 2000, page 83-87 and 139-142
  1999   Time Out New York That’s Mr. Lady To You, by Amy Kellner, Oct. 14-21 1999, page 122
      Surveying the Scene, by Tara Mateik, Felix, 1999, pages 302-305
      Mr. Lady, Feminist Bookstore News, July/August 1999
      Out Magazine, Radar piece by Kathleen Hanna, March 1999, pg. 24
  1998   The Passionate Camera; Photography and Bodies of Desire edited by Deborah Bright,
      Routledge Press, 2 reproductions, Fall 1998
      Article, Taking Over, The Women’s Review of Books, Vol. XV, No. 6, pg.13, March 98
      Review, by Linda Johnson Dougherty, Art Papers, March-April 1998, page 54
      Review, I Came With the Rodeo, by Kimberly Yutani, Southern Voice, February 5, 1998
      Article, New! Newer! Newest! by Rachel Shrieber, New Art Examiner, Feb. 98
  1997   A Girl’s Guide To Taking Over The World: A Decade Of Girl Zines by T.Taormino and K.Green,
      St. Martins Press, pages 191-194 and 22 and 46
      Artist Page, Art Papers, Nov./Dec. 1997
  1996   Article, Corporeal Evidence: Representations of Aileen Wornous, Art Journal, by Miriam Basilio,
      College Art Association
      Review, New Art Examiner, by Cecilia Dougherty, October 1996, pages 34-36
      Review, Grrrls on Film, The Village Voice, by Evelyn McDonnell, November 12, 1996, pg.76
  1995   Reclaiming Stolen Histories, Grand Larceny Arts Journal, by Allison Shaw, Jan. 1995, 4 reproductions, pg. 12-15
      Artist page, A wretch like me, Whitewalls: a journal of language & art, ed. by Robert Blanchon
  1994   Film Threat by Tanya Laden, April 1994, Issue 15, pg. 55
      Review, Los Angeles Magazine, by J. Cutler, Aug. 1994, pg.12
      Feature cover story, Riot Bitch, San Francisco Weekly by Johnny Ray Houston, July 6, 1994, pg.12
      Feature cover story, Telling All With Rage And Wit, LA Times, by Maria L. LaGanga, Jan. 3,1994, pg.1
  1993   Review, The Rocket, by Johnny Renton, Dec. 8,1993, pg. 6
       
  LECTURES, PANELS, AND PRESENTATIONS
  2005   Visiting Artist Lecture, Hammer Museum of Art, Los Angeles, CA
      Visiting Artist Lecture, University of California Irvine, Irvine, CA
      The Scholar and The Feminist Conference: Past Controversies, Present Struggles, Future Feminisms,
      Panel discussion, Barnard College
  2004   Inside of Inside, Chair of Panel Discussion, The Lab, San Francisco, CA
      On Photography I, Panel Discussion, The Wattis Institute, San Francisco, CA
      Queer Photo Salon, San Francisco Public Library, San Francisco, CA
  2003   Visiting Artist Lecture, Stetson University, Deland, FL
      Visiting Artist Lecture, DePauw University, Greencastle, IN
  2002   Towards Tomorrow, Video presentation and artist lecture
  2001   Third Wave Feminist and Popular Culture Panel Discussion, MIT, Cambridge, MA
      Faking It., Video presentation and discussion, Duke University, Durham, NC
  2000   Faking It., Video presentation and discussion, Ladyfest, Olympia WA
      Video presentation and discussion, gurl.com Film Festival, New York, NY
  1999   Trash; Unbroken, poor bodies, dirty, leaning, smoking, Panel at College Art Association Conference, Los Angeles, CA
      Voices From The Other Side of The Wall; Women in/and Prison, Panel at Women in the Director’s
      Chair Festival, Chicago, IL
      Visiting Artist Lecture, Brown University, Providence, RI
  1998   Interactivity and The Public Domain, Panel at Society For Photographic Education Conference, SF, CA
      Mr. Lady Presents, Video presentation and discussion, Artist Television Access, San Francisco, CA
      Mr. Lady Presents, Video presentation and discussion, Bard College, Annandale on the Hudson, NY
      Visiting Artist Lecture, The Five Colleges, Mt. Holyoke, MA
      Queer Visions, Film Studies Program, Duke University, Durham, NC
  1997   Visiting Artist Lecture, Rutgers University, New Brunswick, NJ
      Visiting Artist Lecture, University of Rochester, Rochester, NY
      Visiting Artist Lecture, The School of the Art Institute of Chicago, Chicago, IL
      The Index of Beauty, Panel at Society For Photographic Education Conference, Los Angeles CA
  1996   Visiting Artist Lecture, California Institute of Art, Valencia, CA
      She's Cracked, Video presentation and artist lecture at the Society For Photographic Education
      Annual Conference, LA, CA
      Apparitions in the Aperture, Panel at College Art Association Conference, Boston, MA
  1995   Visiting Artist Lecture, Institute of Fine Arts, New York University, New York, NY
      Strategies in Lesbian / Queer Self Representation, panel at the Society For Photographic Education
      Conference, Atlanta, GA
      Visiting Artist Lecture, Duke University, Durham, NC
      Visiting Artist Lecture, University of North Carolina, Chapel Hill, NC
      Visiting Artist Lecture, The School of the Art Institute of Chicago, Chicago, IL
  1994   Zine Theory / Zine Practice: Low End Radical Texts & Images, Panel at the Society of Photographic
      Education Conference, Chicago, IL
  1993   Presentation and reading at the A.R.T. Press Zine Conference, Los Angeles, CA
       
  COMMERCIAL WORK PUBLISHED
  2003   Venus, page38, September-October 2003
  2002   Out Magazine, December 2002
  2001   Ms., page 26, October – November 2001
      On Our Backs, front cover and pages 12-14, August –September 2001
      Venus, front cover, May-August 2001
      The Village Voice, page 35, May 29, 2001
      Pulse, page 7, May 2001
      Chicago Free Press, front page and page 37-38, April 11, 2001
      New York Blade News, page 17, April 6, 2001
      New York Blade News, page 17, April 6, 2001
      Time Out NY, page 19, April 5-12, 2001
  2000   Ms., page 86, September 2000
      Girlfriends, August 2000
      Out Magazine, page 46, June 2000
      Mondosonoro, Spain, February 2000
      Pulse, page 19, February 2000
      Spin, January 2000
  1999   Puncture, Winter 1999
      The Observer Review, UK, December 1999
      Alternative Press, page 92, December 1999
      The Village Voice, page 14, December 28, 1999
      Jane Magazine, page 32, November 1999
      The Advocate, page 90, November 9, 1999
      Time Out NY, page 124, October 14-21, 1999
      Mean Magazine, pages 15, 17-19, August 1999
      1998 Interview, page 60, December 1998
      Paper Magazine, page 110, November 1998
      Time Out, NY, page120, November 19-26, 1998
      Punk Planet, front cover and pages 37-44, No.27, 1998
      Out Magazine, page 58, September 1998
      San Francisco Bay Guardian, page 58, January 1998
  1997   Time Out, NY, page 30, April 10, 1997
      Jitter, UK, page 27, March 1997
  1996   Raygun, page 19, April 1996
       
  RECORDS /CDS COVER ART
  2001   The Butchies, 3, Mr. Lady Records
  1999   The Butchies, Population 1979, Mr. Lady Records
  1998   The Butchies, Are we not femme?, Mr. Lady Records
  1997   Kaia, Ladyman, Mr. Lady Records
  1995   Kaia, S/T, Chainsaw ? Candyass Records
  1993   The Fakes, S/T, Kill Rock Stars
  1991   Bikini Kill, Pussy Whipped, Kill Rock Stars
       
  TEACHING EXPERIENCE
  2002-present   Associate Professor, California College of the Arts, Oakland and San Francisco, CA
  1997-02   Assistant Professor, University of North Carolina, Chapel Hill, NC
  1995-97   Assistant Professor, DePauw University, Greencastle, IN
       
  RELATED EXPERIENCE
  Mr. Lady Records and Videos – Durham, NC and San Francisco, CA
 

Co-founder and owner of Mr. Lady Records and Videos (1996-2005), an independent alternative record label and video art distribution company. I managed all the internal logistics of the business including recording and production schedules, promotions, manufacturing and finances. We started this company in 1996 and released 29 music projects and oversaw the distribution of 12 video artists. Mr. Lady and its artists received international press, web and television coverage.